Taking a break from the news of the day, I found this article on acknowledging the spiritual in art to be a great read.
Spirituality Has Long Been Erased From Art History. Here’s Why It’s Having a Resurgence Today
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In 1986, a now legendary exhibition at the Los Angeles County Museum of Art proposed a link between these two developments. “The Spiritual in Art: Abstract Painting 1890-1985” challenged prevailing formalist histories of modernism by tracing the origins of Western abstraction to a confluence of ideas about spirituality current at the turn of the last century.
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However, the notion of the artist as channel for otherworldly forces is hardly unique to af Klint. Artists as comfortably canonical as Whistler, Mondrian, Kandinsky, and Malevich were also inspired by theosophy and anthroposophy. None of them created the kind of “pure abstraction” extolled by mid-century critics. Kandinsky, for one, produced controlled explosions of color that bear a striking resemblance to images that appear in Thought-Forms, a standard theosophical text. Mondrian’s geometric compositions were meant to express the “dynamic equilibrium” of the immaterial realm. And, of course, the Surrealists were entranced by automatic drawing as a way to connect with the unconscious.
Spirituality Has Long Been Erased From Art History. Here’s Why It’s Having a Resurgence Today
...
In 1986, a now legendary exhibition at the Los Angeles County Museum of Art proposed a link between these two developments. “The Spiritual in Art: Abstract Painting 1890-1985” challenged prevailing formalist histories of modernism by tracing the origins of Western abstraction to a confluence of ideas about spirituality current at the turn of the last century.
...
However, the notion of the artist as channel for otherworldly forces is hardly unique to af Klint. Artists as comfortably canonical as Whistler, Mondrian, Kandinsky, and Malevich were also inspired by theosophy and anthroposophy. None of them created the kind of “pure abstraction” extolled by mid-century critics. Kandinsky, for one, produced controlled explosions of color that bear a striking resemblance to images that appear in Thought-Forms, a standard theosophical text. Mondrian’s geometric compositions were meant to express the “dynamic equilibrium” of the immaterial realm. And, of course, the Surrealists were entranced by automatic drawing as a way to connect with the unconscious.