According to Percy Shelley, who knew a thing or two about the use of words, language coaxes thought from out of the unconscious into the conscious world. He called language “the perpetual Orphic song”, Orpheus being the musical son of Apollo, who descended into the underworld in search of his dead lover Eurydice.
Our thoughts, like Eurydice, are phantoms, until our words (song) bring them into the light. The question then is, do those phantoms not exist, until we perceive and define them? Do they only become real, when we clothe them with words? And from which realm or dimension do they originate?
Opinions of Clara Tea:
Percy Shelley's wife, Mary Shelley, wrote Frankenstein.
Percy looked like a nice young man. Frankenstein looked like parts of several nice young men.
Actor Gene Wilder (of Willie Wonka fame) co-wrote Young Frankenstein, and wrote the "Sitting on the Ritz" segment. His co-writer, Mel Brooks, felt that the segment was frivolous. Yet, it became iconic.
All of the arts (movies, art, literature, and poetry, etc.) reflect society. Gruesome and scary Grimm's fairy tales (from Germany) reflect the gruesome and scary culture (made iconic by WW II's Nazis).
A German sitting next to me griped about a dog barking. He said that his dog would never bark in public, because he is trained to behave. How, I asked, did the dog get trained so well? The German man said that he hit him constantly, and eventually the dog learned to behave. He said that in Germany no one has a misbehaving dog, and it is strikingly weird to see such dogs in other countries.
Does the strict German discipline account for German literature, or does German literature account for strict German discipline? Everyone in the world could read German literature (Hansel and Grettel...fattening kids to eat them, tossing a witch into an oven), but they don't acquire the strict German mindset.
Though strict, Germans are not stoic. They don't deprive themselves of the pleasures of life. It is ironic that such a merciless society that would murder and torture 6 million Jews would also bring us Beethoven, Brahms, Bach, and Handel, and their cooking would bring German chocolate and a variety of deserts (German chocolate cake) and delicasies. It is as though they are strict with those around them, but pamper themselves.
German shepherds are known to be fierce, and Germans like them that way. They are not like lap dogs, athough dachshunds are.
Culture is reflected in art. Russian abstractionist, Wassily Wassilyevich Kandinsky was part of the avant garde (new) movement, started by Der Blaue Reitier, of which Piccasso, Russo, Van Gogh, and others were a part. Such art was shunned (and banned and burned) by Hitler, who was, himself, an artist.
Hitler's art was very carefully hidden from view during his political leadership of Nazis, due to its homoerotic content. Some of Hitler's paintings were of naked young men, wrapped passionately around each other, with groins touching. No wonder Hitler's German ideal was blond and blue eyed men (he often used to review the troops personally). Hitler was well known for banning Gays. Hitler had a platonic girlfriend, Eva Braun, and no kids.
Avant garde musicians (Zorn, Galas, Cage, Partch, Stockhausen, Parkins, Frith, Laswell, et al) were part of the same avant garde art movement. Abstract, and sometimes random, notes were considered music. Musique concrete used sounds as music.
Morality and religion are inexorably entwined. If it can be shown that culture plays a part in morality, it can also be proposed that morality has an impact in the arts and in religion. That is, a culture might reflect how people react to religion ("thou shalt not kill" might be merely a suggestion, not a commandment from God, as we have seen in the recent war in Iraq).
Nazi occupied France and Italy noted that Germans were not at all amused by their humor. They felt that there was no whimsy in their souls. Street mimes were thought to be silly. Comedians were thought to be useless and distracting.