Bishka
Veteran Member
This is a new thing to me and apparently these 'Hell Houses' have been around for years.
HELL ON EARTH A Jewish boy (almost) gets the Holy Spirit while visiting Hell House By Justin Ravitz
A first-time raver pops a pill, gets gang-raped and commits suicide. A pompom-toting cheerleader endures a literally gut-wrenching industrial vacuum included abortion. Two gay men wed and smooch each other and one soon dies an excruciating AIDS death. A trenchcoat-wearing, Dungeons & Dragons-playing, heavy metal geek guns down a classroom of bullies. A virgin gives it up to her new boyfriend on her out-of-town parents bed and contracts HIV. Coffee-swilling hipsters write a comedy sketch about Christian fundamentalists.
They will all go, kicking and screaming, to Hellescorted by a chortling, black-robed demon-MC, snarling hell-hounds and mortal ticket-buyers brave enough to enter Hell House. A production of Les Freres Corbusier at the 14,000-square-foot St. Anns Warehouse in Dumbo, this is a haunted house of sin and consequence. During my hour-long tour through dozens of rooms and levels, creaky corridors and sticky curtains, I was bled upon and looked into the eyes of a doomed fetus (played by an actor in a red leotard). I heard the moans of the damned (actors playing terrorists, drunks, dandies, unwed mothers), stepped over their prostrate bodies and shook off their clutching, blood-stained hands. I had an audience with Satan himself (a
vocoder-voiced lounge lizard), and I politely refused a prayer session with a blond girl-angel standing beside a bearded Jesus. Giggling, wiping the dry-ice vapor from my eyes, I felt like an escapee from a painting by Hieronymus Bosch as interpreted by a crazed Outsider Artistjust the kind
of avant-garde theater experience only available in New York.
Except its not, and New Yorkers are over a decade behind whats become an October ritual at hundreds of Christian Evangelical churches in the South and Midwest. First innovated by Jerry Falwell in the 1970s, Hell Houses became a Bible Belt institution in the mid-90s thanks to youth minister Pastor Keenan Roberts. In a press release, he describes Hell Houses as a spiritually based adventure depicting the hell and
devastation that Satan and this world can bestow on those who choose not to serve Jesus Christ. The explicit aim of this full-sensory-assault morality play is straightforward: to shock lapsed Christians and non-believers into converting or recommitting themselves to godly, sin-free lives.
http://www.nypress.com/19/41/news&columns/feature2.cfm
HELL ON EARTH A Jewish boy (almost) gets the Holy Spirit while visiting Hell House By Justin Ravitz
A first-time raver pops a pill, gets gang-raped and commits suicide. A pompom-toting cheerleader endures a literally gut-wrenching industrial vacuum included abortion. Two gay men wed and smooch each other and one soon dies an excruciating AIDS death. A trenchcoat-wearing, Dungeons & Dragons-playing, heavy metal geek guns down a classroom of bullies. A virgin gives it up to her new boyfriend on her out-of-town parents bed and contracts HIV. Coffee-swilling hipsters write a comedy sketch about Christian fundamentalists.
They will all go, kicking and screaming, to Hellescorted by a chortling, black-robed demon-MC, snarling hell-hounds and mortal ticket-buyers brave enough to enter Hell House. A production of Les Freres Corbusier at the 14,000-square-foot St. Anns Warehouse in Dumbo, this is a haunted house of sin and consequence. During my hour-long tour through dozens of rooms and levels, creaky corridors and sticky curtains, I was bled upon and looked into the eyes of a doomed fetus (played by an actor in a red leotard). I heard the moans of the damned (actors playing terrorists, drunks, dandies, unwed mothers), stepped over their prostrate bodies and shook off their clutching, blood-stained hands. I had an audience with Satan himself (a
vocoder-voiced lounge lizard), and I politely refused a prayer session with a blond girl-angel standing beside a bearded Jesus. Giggling, wiping the dry-ice vapor from my eyes, I felt like an escapee from a painting by Hieronymus Bosch as interpreted by a crazed Outsider Artistjust the kind
of avant-garde theater experience only available in New York.
Except its not, and New Yorkers are over a decade behind whats become an October ritual at hundreds of Christian Evangelical churches in the South and Midwest. First innovated by Jerry Falwell in the 1970s, Hell Houses became a Bible Belt institution in the mid-90s thanks to youth minister Pastor Keenan Roberts. In a press release, he describes Hell Houses as a spiritually based adventure depicting the hell and
devastation that Satan and this world can bestow on those who choose not to serve Jesus Christ. The explicit aim of this full-sensory-assault morality play is straightforward: to shock lapsed Christians and non-believers into converting or recommitting themselves to godly, sin-free lives.
http://www.nypress.com/19/41/news&columns/feature2.cfm