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Leo Tolstoy and the Baha'i Faith

arthra

Baha'i
It's good to recall in this time of Russia at war in the Ukraine that Leo Tolstoy a well known Russian writer had an interest in peace and in the Baha'i Faith:

Martha Root on Leo Tolstoy...

An interesting account by Martha Root...

When I was in Prague, Czechoslovakia, in 1927, I met the secretary of Count Leo Tolstoy, Mr. Valentin Bulgakov; we had a long talk about Count Tolstoy and his contact with the Baha'i Movement. Later, in December, 1930, I met Miss Alexandra Tolstoy, the youngest daughter of this great Russian writer and humanitarian. She said to me then, "What Mr. Bulgaliov has told you about my father's interest in the Baha'i Movement is true. He was with him during the last four years of my father's life; he was his secretary and arranged his library." Then, too, I corresponded with Mrs. Isabel Grinevsky of Leningrad in 1927 and she wrote me about Count Tolstoy.

It is through these kind friends that I have the facts for this article. An added interest was given to the subject for me when only a few days ago, May 3 1, 1932, I interviewed the president of a Roman Catholic university in Poland who had met 'Abdu'l-Baha in 1914, in Haifa, Palestine. 'Abdu'l-Baha said to him that there was no greater writer in Europe than Count Leo Tolstoy. "What a pity that Tolstoy, who so admired the Teachings of 'Abdu'l-Baha, never had the privilege of meeting Him."

"Count Tolstoy knew the Baha'i Teachings through literature. I think he did not know any Baha'is personally," said Mr. Bulgakov in his talk with me. "He first heard of the Baha'i Movement in May, 1903, when Mrs. Isabel Grinevsky brought out in Leningrad (the former capital of Russia that then was called St. Petersburg) a great drama called Báb; it was in verse and gave the illumined history of the Forerunner of the Baha'i Movement, a young man called Báb and His disciples called Letters of the Living; the scenes were laid in Persia. This drama was played in one of the principal theatres of St. Petersburg, in January, 1904, and given a remarkable reception. Some of the critics went far in its praise. For example, the poet Fiedler (who afterward translated the drama into German) said: 'We receive from the five acts of the poetical drama Báb more information about the Baha'i Movement than from the deep, scientific researches of Professor Edward G. Browne, Gobineau and Russian scientists and historians. As the Herold has already published two full feuilletons about the poem, we shall speak only of the performance of the play. Rarely has the renown of any play preceded the performance as has this of Mrs. Grinevsky.' "

.....

Count Tolstoy, I feel, was a Baha'i in spirit, for the word signifies in the Persian language "Light-bearer," even though he heard of the Teachings late in life. He was born September 10, 1828, and so was nearly seventy-five when he first learned through the drama Báb of this universal religion for peace which had its rise in Persia about the middle of the nineteenth century. He passed on November 10, 1910, but in one of his last writings, I hear, he penned these words which will be read not only by this generation but by millions yet unborn:

"We spend our lives trying to unlock the mystery of the universe, but there was a Turkish Prisoner, Baha'u'llah, in 'Akka, Palestine, who had the key!"

(Martha Root, The Baha’i World, 1932-1934)

Baha'i Talks, Messages and Articles: Count Leo Tolstoy and the Baha’i Movement – by Martha L. Root
 
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