Although the nature of the original text of the Torah is only an adjunct to the genuine topic in this thread, it's been covered in threads for years, most notably the thread titled
. That thread was edited into an essay,
. And pages 13-15 focused on the topic at hand:
The subject of the ברית [covenant] between God and Israel is not הדברים [the words], the fixed written words which are visible to the eyes, but פי הדברים [mouth of words], the full living content of the words, which existed in Moshe's mind before the words were fixed in writing, and which even after the words were fixed remains a living thing in the minds and mouths of Israel. The written words are merely a reminder [see Plato's Phaedrus] of their full content.
Rabbi Samson R. Hirsch, The Hirsch Chumash, Shemos, 33:27 (bracketed comments mine).
The Torah existed in the mind, before it was fixed in writing. That's where it was the full, living, content. And even after the words were fixed in writing, the spirit remains a living-thing in the minds and the mouths of Israel. A knowledgeable Jew knows that "word of mouth" speaks of the oral Torah:
כתב [katab, "write"] is related to קטף [qutap] (to bend, tear off), קטב [qutab] (to kill), גדף [gadap] (to abuse) . . . From this we may infer that although the written word is a bearer of ideas and thus of great benefit, nevertheless, by itself it is incomplete, and it is likely to jeopardize the completeness, the vitality, and the truth of ideas. . . God's Torah is entrusted to the living word, not to the lifeless letter. . . Hence, not על הדברים האלה, not regarding the bare meaning of written words alone, but על פי הדברים האלה, i.e., regarding the content of these words ---- content that remains alive in the oral tradition and that is not fixed in writing ---- did God establish His covenant with Israel. . . The written word is to remind you ever anew of what was entrusted to your mouth.
The Hirsch Chumash, Shemos 34:27; 13:9.
Rabbi Hirsch, with Jewish tradition, is implying that the Song is the cantillation for the entire Torah. The written Torah is the body, and the Song is the soul and or spirit. You have to have both, such that Professor Idel says (speaking of the kabbalistic worldview):
The Torah scroll, written without vowels, is therefore pregnant with a variety of vocalizations, all of them possible without any change in the canonical form of the sacred text. . . The fluctuation of the vocalization, as it causes shifts in the meaning of a given combination of the consonants, alters the meaning of the sentence and of the Torah itself.
Professor Idel then quotes an anonymous kabbalist writing at the end of the thirteenth century:
Since the vowel [system] is the form of, and is soul to, the consonants, the scroll of Torah is written without vowels, since it [the scroll] includes all facets [i.e., aspects] and all the profound senses and all of them interpreted in relation to each and every letter, one facet out of other facets, one secret out of other secrets, there is no limit known to us . . . If we should vocalize the scroll of Torah it would receive a limit and measure . . . would not be interpreted but according to the specific vocalization of a certain word.
Professor Idel replies:
Freedom of interpretation is presented here not as a sheer accident arising from the special nature of Hebrew; rather, this freedom is implied, according to this Kabbalist, in the very prohibitions against vocalizing the Torah scroll, a prohibition that permits an unlimited range of possible understandings for the divine text.
Rabbi Gikatilla is quoted (by Professor Idel) from his commentary on,
The Guide for the Perplexed, giving an actual example of how vocalization can determine word meaning:
According to this path you should know that Moses, our master, had been given a way of reading the Torah in many fashions, which are infinite, and each and every way points to the inner wisdom. This is the reason why the scroll of the Torah is not vocalized so that it may bear all the sort of science found in the divine will. Because would it be vocalized, it would be like a matter to which a form had arrived, because the vowels are, for the words, like the form for the matter, as if you would say 'Adam, 'Odem, 'Edom. If it was not vocalized, it could bear each of the three, but if it were, it would bear only the limited one.
Finally, Professor Idel goes to the heart of the issue:
Despite the fact that these Kabbalists maintained the traditional order of the morphe of the Torah, they still conceived its meaning as amorphous, allowing each and every interpreter an opportunity to display the range of his exegetical capacities. This initial amorphousness is not, however, identical to indeterminacy, a concept that would assume that the meaning of a given text cannot be decided.
Even a general compendium of knowledge like Wikipedia has this:
The cantillation signs also provide information on the syntactical structure of the text and some say they are a commentary on the text itself, highlighting important ideas musically. The tropes are not random strings but follow a set and describable grammar. The very word ta'am, used in Hebrew to refer to the cantillation marks, literally means "taste" or "sense", the point being that the pauses and intonation denoted by the accents (with or without formal musical rendition) bring out the sense of the passage.
Wikipedia.
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