Abishai100
Member
In Lewis Carroll's logic-thrill novel Alice in Wonderland, a precocious young girl named Alice follows a curious white rabbit down a strange hole and finds herself magically transported to a bizarre place called Wonderland where she encounters unusual creatures, shrewd sages, adventurous courts (with an impressive 'Red Queen' character), and a zany logic-humor figure known as the Mad Hatter.
Alice sits down to a memorable 'tea party' with the Mad Hatter and engages in a bright but quirky logic-language conversation, and we realize that there is an intriguing link between festivity and self-criticism.
Carroll's work is considered by some to be an offbeat and under-appreciated 'pseudo-treatise' on the tangibility of atheistic causality and 'unintentional self-destruction.' It is also a treatise on the presence of danger in a universe not necessarily ruled by a Creator or God.
The American comic book superhero Batman (DC Comics), a brooding masked urban vigilante who tackles the criminally insane in a fictional place called Gotham City, deals with a special maniacal nemesis called the Mad Hatter (real name Jervis Tetch).
Tetch decides to model himself after the Lewis Carroll character and use intolerable logic pitfalls to catch Batman in a state of disarray. Like the Carroll character, Tetch wears fancy elaborate hats, and in some renditions of the comic book super-villain, carries special electronic playing-cards in his hat which either function as explosives or as mind-control signal and brain interference buzzers.
Batman's work in Gotham City symbolizes a modern age paranoia about urbanization-related crimes, and the Mad Hatter is a totem of urban anarchism.
Like the iconic Gravitron amusement park ride, the Mad Hatter is like a magnet for euphoric 'self-control vertigo.' Isn't that what the modern city is all about --- control?
We can therefore use the Mad Hatter (DC Comics) to analyse 'self-control metaphysics' and 'self-destruction atheism.'
Imagine a child's tea party in which the young 'attendees' engage in a conversation about the mental appeal of 'crazy dress.'
We can apply such a 'mock conversation' to more serious discussions about atheism contouring.
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CHILD 1: Look at my fancy hat, very good for this tea party!
CHILD 2: Your hat is fancy, but my shoes are shiny.
CHILD 3: Your shoes are shiny, but my dress is sparkly!
CHILD 4: Look at my Disney watch, very pretty.
CHILD 1: My mom says that fancy hats are worn by important people.
CHILD 2: I bet everyone would want to wear my shiny shoes, though.
CHILD 3: My sparkly dress is awesome in the moonlight.
CHILD 4: I like the Mickey Mouse on my watch, because it's cooler than adults.
CHILD 1: I bet angels wear hats!
CHILD 2: Do angels wear shiny shoes?
CHILD 3: I believe this sparkly dress is just right --- I don't need angels!
CHILD 4: Does my Disney watch remind you of something evil?
====
Mad Hatter (Batman Wiki)
Gravitron (Amusement Ride)
Alice sits down to a memorable 'tea party' with the Mad Hatter and engages in a bright but quirky logic-language conversation, and we realize that there is an intriguing link between festivity and self-criticism.
Carroll's work is considered by some to be an offbeat and under-appreciated 'pseudo-treatise' on the tangibility of atheistic causality and 'unintentional self-destruction.' It is also a treatise on the presence of danger in a universe not necessarily ruled by a Creator or God.
The American comic book superhero Batman (DC Comics), a brooding masked urban vigilante who tackles the criminally insane in a fictional place called Gotham City, deals with a special maniacal nemesis called the Mad Hatter (real name Jervis Tetch).
Tetch decides to model himself after the Lewis Carroll character and use intolerable logic pitfalls to catch Batman in a state of disarray. Like the Carroll character, Tetch wears fancy elaborate hats, and in some renditions of the comic book super-villain, carries special electronic playing-cards in his hat which either function as explosives or as mind-control signal and brain interference buzzers.
Batman's work in Gotham City symbolizes a modern age paranoia about urbanization-related crimes, and the Mad Hatter is a totem of urban anarchism.
Like the iconic Gravitron amusement park ride, the Mad Hatter is like a magnet for euphoric 'self-control vertigo.' Isn't that what the modern city is all about --- control?
We can therefore use the Mad Hatter (DC Comics) to analyse 'self-control metaphysics' and 'self-destruction atheism.'
Imagine a child's tea party in which the young 'attendees' engage in a conversation about the mental appeal of 'crazy dress.'
We can apply such a 'mock conversation' to more serious discussions about atheism contouring.
====
CHILD 1: Look at my fancy hat, very good for this tea party!
CHILD 2: Your hat is fancy, but my shoes are shiny.
CHILD 3: Your shoes are shiny, but my dress is sparkly!
CHILD 4: Look at my Disney watch, very pretty.
CHILD 1: My mom says that fancy hats are worn by important people.
CHILD 2: I bet everyone would want to wear my shiny shoes, though.
CHILD 3: My sparkly dress is awesome in the moonlight.
CHILD 4: I like the Mickey Mouse on my watch, because it's cooler than adults.
CHILD 1: I bet angels wear hats!
CHILD 2: Do angels wear shiny shoes?
CHILD 3: I believe this sparkly dress is just right --- I don't need angels!
CHILD 4: Does my Disney watch remind you of something evil?
====
Mad Hatter (Batman Wiki)
Gravitron (Amusement Ride)