An interesting example of modern prophesy can be found in art. From about 1790-1850 the art of the day was Neoclassicism and Romanticism. From about 1840 to 1990 were the Impressionists, then after that Abstract art became popular.
These movements all anticipated the changes of the times. Neoclassicism was based on photographic renditions of reality. It reflected culture in a type of mental clarity that comes from living an extension of classic traditions; well traveled path of humanity.
In Impressionism, this clarity of Neoclassicism starts to become more fuzzy. This was due to the impact of the Industrial Revolution, as people left the natural farm life, for jobs in the cities, that required working with soulless machines. This anticipated a change leading to the first world war.
The Abstractionists anticipated a deeper change in culture where fuzzy rationality changes to relativism and uncertainty. This started in physics and soon become part of culture.
The 1950's the artist Escher anticipated the present in his abstract work. His most famous painting is called Relativity; below, which is the sign of our times. In this work of art, if you isolate and then look at any man walking, it appears to be a valid reference or POV. But if you look at the bigger picture so you can see all the men side by side, not all the references or POV are valid. It can valid on a portion of a flat piece of paper; 2-D or cause and affect, but it is not possible in larger spatial context; 3-D thinking.
Art comes from the unconscious mind. The Unconscious is connected to the main frame parts of the brain. The subliminal data of the unconscious mind much more comprehensive than conscious data. The unconscious has far more computing power that the conscious mind. The unconscious can think in 3-D and even in 4-D. The problem is the gap between conscious and unconscious minds is wide and the content is not easy to translate since its uses a dense-fast language. Some people can partially translate this. Many artist have this gift and express it through the dense visual language of art; visionary.