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LOS ANGELES -- The word critics use most often to describe director David Lynch-s films is "dark."
"Weird" is a close second. The cinematic otherworlds Lynch creates, whether they-re the quirky Lumberton and Twin Peaks, industrial Victorian England, or the shadowy underbelly of the Hollywood Hills, are surreal, sordid, nightmarish. One might expect the soul behind such celluloid visions to be j http://www.religionnewsblog.com/9934
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