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#1
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You are a wildness, a mystery,
A trail to the bears; The wandering of elk. Somewhere the wind Flows as a river Through the ponderosa; The sun falls down between satin needles To dapple your forest floor. A sensuous spirit are you, an affirmation, An embracer of life who’s given life: A huge spirited woman. I want to taste you, hike you, Leave the kept lawns behind: Cross you for miles To pitch tent by your rushing stream.
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Then I came back from where I'd been. My room, it looked the same - but there was nothing left between The Nameless and the name. - Leonard Cohen. Last edited by Sunstone; 01-12-2007 at 08:18 PM. |
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#2
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On our SDS (Sunstone dung scale) i think it's a Horse manure with little Elephant sprinckles on top for the above quoted line. It's like looking at the cloud as the sun breaks through. Thank you for this.
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The only reason why conscious intentions fail is because they are sabotaged by subconscious counter intentions. |
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#3
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Thank you so much, Mystic! I hope I haven't destroyed some pleasure for you, but I felt compelled to change river to ocean. The mystery and spirit of these two women is two great for a river, IMO. Maybe that's it. But perhaps you should know that here in Colorado the closest we ever come to hearing the sound of an ocean is when the wind blows through a forest of ponderosa pines.
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Then I came back from where I'd been. My room, it looked the same - but there was nothing left between The Nameless and the name. - Leonard Cohen. |
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#4
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#5
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Only kidding! Good change. Still beautiful.
__________________
The only reason why conscious intentions fail is because they are sabotaged by subconscious counter intentions. |
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#6
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Quote:
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Then I came back from where I'd been. My room, it looked the same - but there was nothing left between The Nameless and the name. - Leonard Cohen. |
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#7
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I confess this poem is dedicated to two women, both jewels, who could easily be sisters, except they look nothing alike physically. One is a tall beauty and one is a petite beauty. But apart from that, they are soul sisters. In the poem, I think I've captured one of the facets these two share, a certain rare and completely spirited embrace of life. They are untamed, wild, natural women with huge, graceful spirits. You might be right about this poem basically being horse manure, but I think it rises a bit above that myself.
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Then I came back from where I'd been. My room, it looked the same - but there was nothing left between The Nameless and the name. - Leonard Cohen. |
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#8
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I think this is a very good poem. I agree with Mystic that it is better with wind as a river than as an ocean. A river shows more motion, more twisting and meandering. To me, an ocean just doesn't. But it's your poem and you have a different idea with what you want as to what the ocean means, so do with it as you please.
And like Bastet, I also felt compelled to faint when I finished that last stanza, especially due to the use of adolescent slang for an erection. ![]() |
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#9
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